Can a place be unreal? On what grounds? A space for playing can be thought of as an example. A place disengaged from the everyday. But a Vacation places, although detatched from the everyday also, do not belong to the paradigm as vacations (and entertainment) are quite a serious business: it serves the subject to regain energy for future work challenges.
Play is autotelic. Play is limited in space and time. Play creates a microcosm with its rules. Play detaches from the everyday. Every detachment (every boundary marker) implies the sacred. Thus the theme is not merely an unreal place, but a sacred place, a consecrated site.
As a specimen of the unreal places a theater stage is considered. How does architecture appear on the stage? What is the function of objects there? What happens to architecture in the theater?
Ana Gegeshidze (2019)
Zura Pantsulaia (2018)
Nia Shamugia (2018)
Irakli Tsotsoria (2018)
Giorgi Zirakishvili (2018)
Anna Shengelia (2018)